{"id":168,"date":"2018-12-10T10:40:43","date_gmt":"2018-12-10T01:40:43","guid":{"rendered":"http:\/\/149.28.25.173\/cms\/?page_id=168"},"modified":"2018-12-24T01:14:26","modified_gmt":"2018-12-23T16:14:26","slug":"ei-wada","status":"publish","type":"page","link":"https:\/\/2019.metacity.jp\/en\/speaker_en\/ei-wada","title":{"rendered":"Ei Wada"},"content":{"rendered":"

Born in 1987. Artist\/musician. Ei Wada rebuilds old electric appliances into electronic musical instruments, and creates and exhibits works of art and music performed by new and unique methods. In 2009, he started the group Open Reel Ensemble, which manipulates and plays reel-to-reel tape recorders. The group is involved in a wide range of activities including concert performances, DVD\/CD and book publishing, art installations and providing music for movies and catwalk shows. Recently it has begun an ambitious orchestral project using 20 reel-to-reel tape recorders. Also, He has provided music for ISSEY MIYAKE’s Paris Collection for 11 consecutive times. He has performed in various locations around the world. His latest project is called “ELECTRONICOS FANTASTICOS!” for which they create electronic musical instruments, orchestra and strange festival using used home electronics with the participants.<\/p>\n

https:\/\/eiwada.com\/<\/a>
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http:\/\/electronicosfantasticos.com\/<\/a>
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https:\/\/openreelensemble.com\/<\/a><\/p>\n

Twitter\uff1a @crab_feet<\/a>
\nFacebook:\u00a0
https:\/\/www.facebook.com\/OpenReelEnsembleBraunTubeJazzBand\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Born in 1987. Artist\/musician. Ei Wada rebuilds old electric appliances into electronic musical instruments, a […]<\/p>\n","protected":false},"author":1,"featured_media":166,"parent":60,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/168"}],"collection":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":7,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/168\/revisions"}],"predecessor-version":[{"id":307,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/168\/revisions\/307"}],"up":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/60"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/media\/166"}],"wp:attachment":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/media?parent=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}