{"id":283,"date":"2018-12-20T21:15:10","date_gmt":"2018-12-20T12:15:10","guid":{"rendered":"http:\/\/149.28.25.173\/cms\/?page_id=283"},"modified":"2018-12-25T15:56:38","modified_gmt":"2018-12-25T06:56:38","slug":"yosuke-takahashi","status":"publish","type":"page","link":"https:\/\/2019.metacity.jp\/en\/speaker_en\/yosuke-takahashi","title":{"rendered":"Yosuke Takahashi"},"content":{"rendered":"
Born in 1985 in Tokyo.
\nAssistant Curator at 21st Century Museum of Contemporary Art, Kanazawa
\nGraduated from the graduated school of Fine Arts<\/p>\n
His most major projects at the 21st Century Museum of Contemporary Art in Kanazawa include “DeathLAB: Democratizing Death” (2018-2019), “Undying Life” (2017-2018), “Ghost in the Cell”(2015-2016) etc. Other recent exhibitions “Frankenstein 2018″ (*Japanese Title) (GYRE, 2018) etc. His main lectures include ” Renaissance by Transhumanism ” (*Japanese Title) (Tokyo University, 2015) and etc. Major issues include “DeathLAB: Democratize death” (URBAN Magazine “Mortem” , the students of Urban Planning at Columbia University\u2019s Graduate School of Architecture, 2018), ” Semi-Living Material Issues on Bio-Fashion ” (*Japanese Title) “Vanitas 005” (Adachi Press, 2018) and etc. Art journal (bijutsutecho) issued in January 2018 “Special feature bio art” editing cooperation. Professionalized posthuman aesthetics and art of superhumanism.<\/p>\n","protected":false},"excerpt":{"rendered":"
Born in 1985 in Tokyo. Assistant Curator at 21st Century Museum of Contemporary Art, Kanazawa Graduated from t […]<\/p>\n","protected":false},"author":1,"featured_media":281,"parent":60,"menu_order":42,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/283"}],"collection":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":5,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/283\/revisions"}],"predecessor-version":[{"id":355,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/283\/revisions\/355"}],"up":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/pages\/60"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/media\/281"}],"wp:attachment":[{"href":"https:\/\/2019.metacity.jp\/wp-json\/wp\/v2\/media?parent=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}